THE CLEARLY STUDIO
Cedar Hill, TexasOne Space. Two Distinct Looks.
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This living room now runs two broadcast-ready sets for two different shows.
Blackout curtains handle the windows and each position is lit to feel completely distinct, one warm and intimate, one bright and open. The challenge was making each setup feel different enough that audiences never confuse one show for the other.
A 15 minute transition moves the camera and two lights between positions. Both hosts run it themselves.
Blackout curtains handle the windows and each position is lit to feel completely distinct, one warm and intimate, one bright and open. The challenge was making each setup feel different enough that audiences never confuse one show for the other.
A 15 minute transition moves the camera and two lights between positions. Both hosts run it themselves.
THE TRILOGY STUDIO
San Diego, CaliforniaProof that space isn't the problem.
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This space was a copy room. Six and a half feet wide, fourteen feet long, full of equipment and nothing else.
The challenge was making a two-person studio that looks high-end on camera without feeling like what it actually is. Careful angle selection, minimal design, and intentional lighting create depth and sophistication that the room itself doesn't have. What you see on screen and what you're standing in are two completely different experiences.
The challenge was making a two-person studio that looks high-end on camera without feeling like what it actually is. Careful angle selection, minimal design, and intentional lighting create depth and sophistication that the room itself doesn't have. What you see on screen and what you're standing in are two completely different experiences.
THE COURAGEOUS GIRLS STUDIO
Sherwood, OregonBetter space. Same budget.
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No lighting equipment. No major buildout. Just a better camera and a better spot in the house.
Moving to a room with natural light, depth, and personality gave the hosts space to breathe on camera and an environment that actually reflects who they are. Sometimes the best studio upgrade is knowing where to point the camera. |